Archive for March 2010

Announcement courtesy of:

DCTV

DCTV PRESENTS MEET THE FUNDERS
Tue 3/23, 7:30pm, DCTV

Applying for funding can be one of the greatest stresses for filmmakers. But here’s a chance to hear more about what funders are looking for and the best practices for applying to them.

Join us as Natalie Difford (Chicken & Egg Pictures), Ryan Harrington (Gucci Tribeca Documentary Fund) and Adella Ladjevardi (Cinereach) calm our nerves and share their invaluable funding criteria with us.

Working with funders is all about building relationships and it starts with a familiarity of all the options out there. Meet The Funders will get you familiar with the current landscape and include some top tips on filling out those tricky applications and submitting killer sample footage. This event is most relevant for filmmakers working on social issue projects.

$15 DCTV & Shooting People Members
$20 IFP, NYWIFT, DocuClub Members
$30 General

Details & Tickets here.

The 18th annual Environmental Film Festival in the Nation’s Capital takes place March 16-28, 2010. There are 56 screening venues, 155 films, and an audience of 25,000 is expected to attend. Films selected for the festival “celebrate the wonder of the natural world and illuminate the growing challenges to life on earth.”

Gasland by Josh Fox

Gasland by Josh Fox
This fest will mark the D.C. premiere of Gasland by Josh Fox. The film chronicles Fox’s 24-state journey to investigate the consequences of natural gas drilling. It received support from the Sundance Reach Fund (part of the Cinereach Project at the Sundance Institute), won a Special Jury Prize at the Sundance Film Festival in January, and just took home the Artistic Vision Award at the Big Sky Documentary Film Festival.

Screening information:
FREE SCREENING
Date: 3/16/10 7:00pm
Venue: Carnegie Institution for Science, Elihu Root Auditorium, 1530 P St., NW
A discussion with filmmaker Josh Fox follows screening.

The Road Ahead: The First Green Long March

The Road Ahead: The First Green Long March by Cinereach Productions
The first feature documentary from Cinereach’s in-house production arm, The Road Ahead: The First Green Long March is a meditative portrait of the growing student environmental movement amongst Chinese College students. Directed by Ryan Wong and produced by Cinereach’s Michael Raisler, The film is an official selection of the Hamptons, Connecticut and Cleveland Film Festivals.

Screening information:
FREE SCREENING
Date: 3/23/10 12:00pm
Venue: Woodrow Wilson International Center for Scholars, Ronald Reagan Building, One Woodrow Wilson Plaza, Sixth Floor Auditorium, 1300 Pennsylvania Ave., NW
The film will be introduced by Jennifer L. Turner of the China Environment Forum, Woodrow Wilson International Center for Scholars.

Adella Ladjevardi, Cinereach Grants Manager, will be on a panel tonight at IFP’s Industry Connect event. The panel is called: Funding Your Film: Strategies, New and Traditional and will feature a range of funders and filmmakers talking about “how to raise money to make and distribute your film.” It will look at “traditional models – grants, fiscal sponsorship through non-profits, equity investment – and new Web 3.0 strategies such as crowdsourcing, building fans, and other trans-media strategies that can help filmmakers of all levels make the best decisions for their projects from start to finish.”

The event is at 7pm (new time) at The New School, 65 West 11th Street, 5th Fl. (Wollman Hall).

If you plan to go, or even if you can’t make it, the below is from a hand-out Cinereach will bring tonight, featuring quick tips on our application process. All the same info is featured on our site, but this handout is a good entry point.

Grants & Awards Prism

Advice for Grant Applicants


First Things First

Have a film you think Cinereach should support? Great! Check out these tips and tricks to possibly increase your chances of receiving support and make the application process a breeze – both for you and for us!

First off – check out our website to make sure your film is a good fit for Cinereach. While we support a diverse range of films, taking a look at the previously funded films and our current guidelines will give you a sense of our taste.

Funding Priorities (from the web site)

Each year Cinereach grants over $500,000 to well-crafted feature-length nonfiction and fiction films that depict underrepresented perspectives, resonate across international boundaries, and spark dialogue.

Grants range from $5,000 – $50,000 and are awarded to films at any stage, including development, production, post-production, audience building and distribution.

There are two letter of inquiry deadlines per year (Summer and Winter), after which a selection of applicants are invited to submit full proposals.

Cinereach’s ethos favors good storytelling over didacticism and complexity over duality. We support films that demonstrate creativity, visual artistry and take a character-based approach.

Through cinematic artistry and storytelling, Cinereach supported films:

-Provide insight and spark dialogue
-Challenge prejudice and advance human rights
-Discover humanity and hope
-Foster global community

How to Apply

The application process is outlined on the Cinereach web site.

As you will see when you visit the web site, all applicants are required to submit a letter of inquiry (LOI) via an online form as a first step. Deadlines for submitting your LOI are posted and updated on our site a few months before a grant cycle.

We strongly encourage submission of sample work with letters of inquiry. Sample work can include one or more of the following: previously completed film(s), a trailer or clip reel for your current project, or a rough-cut of your current project. If you’re a first time feature filmmaker show us a short – or photographs. Anything that you feel might convey your visual artistry and vision to us.

You may submit an online link in your letter or inquiry (please remember to include your username and password, if applicable) or you may send us a DVD.

Getting Your Questions Answered

If you have questions after reviewing the above referenced pages, check out our FAQ page. It’s made up of questions we’ve received in the past (get it? Frequently Asked Questions) so make sure you give that a good read. (hint: calling us with a question on the FAQ wastes our time and yours.)

Fiscal Sponsorship

You do not need a fiscal sponsor in place in order to submit a letter of inquiry. Should your project move to the next stage in the application process, we would work with you to secure a fiscal sponsor at that time. To learn more about fiscal sponsorship, please visit the Resources page on our website.

Helpful Stats

The Cinereach grant program has become increasingly competitive, and only a small fraction of applicants are invited to submit a full proposal.

On average, less than 10% of all projects that submit letters of inquiry will be invited to submit a full proposal. In our most recent grant cycle, we received 900 letters of inquiry and invited 77 full proposals. Of those 77 films, approximately 10 or 12 will receive a Cinereach grant.

Dos & Don’ts

Do Read all instructions and guidelines on the Cinereach website very carefully.

Don’t Call or email Cinereach staff asking a question that is already answered on the FAQ page.

Do Let us know if you checked the website but couldn’t find the answer you were looking for – that means we need to update!

Don’t Waste time by going into a lot of depth about the history and social context of an issue relevant to your film without talking about your story and your main characters.

Do Try to adhere to the submission deadline for each grant cycle and be aware of notification dates.

Don’t Call or email Cinereach staff on or after the deadline requesting an extension to submit your application late.

Do Spell check. If English isn’t your first language, ask someone else to proofread it. If you’re applying from halfway around the world we’ll very likely cut you some slack.

Don’t Submit a letter of inquiry that demonstrates carelessness and/or an inability to express ideas clearly or succinctly.

Do Demonstrate that your story is character-driven by introducing us to your characters/subjects and describing the arcs their stories follow in the synopsis section of your LOI.

If you don’t have key subjects/characters in mind or know the type of arc their stories might take, don’t worry! Show us you know how to make a film, and tell tell us as much as you can about what you’re hoping for and how you’re planning to capture it.

Finally, Don’t give up if you don’t receive support this cycle! The next one is only a few months away.

** The next deadline to submit a letter of inquiry for the Summer 2010 grant cycle is June 1st!

A post by Gabriel Long
A post by Gabriel Long

Choosing a title for my Reach Film Fellowship short was a struggle.

The story follows two brothers as they navigate a newly complex relationship over the course of one afternoon, so naturally my first working title was Brothers. It worked fine and stated something simple and factual about the story, so it stuck. I had purchased a URL, set up a website, and begun initial promotion for the project – increasing my commitment to Brothers.

As I got into production and post and my film materialized, however, I realized I needed a new title. Brothers doesn’t evoke enough visually or emotionally in a potential viewer’s mind. Furthermore, anyone who searched for “Brothers the film” online would have to dig through dozens of results related to the recently released Jake Gyllenhaal/Toby McGuire movie of the same title to find anything about my project. A quick IMDb search immediately revealed that my film would be one of many, many films called Brothers.

So I set out to find a more evocative and unique title. My first strategy was just to think about it and wait for inspiration to strike. A week later I didn’t have any good ideas, so I decided to take a more structured approach. I made lists of possible titles, asked my cast and crew for ideas, and I re-read the script looking for moments or lines of dialogue that could yield a new name. This gave me many options, but nothing that really fit.

Finally, I sat down to discuss title options with Reva Goldberg and Margaret Shafer, who run the Reach Film Fellowship at Cinereach. As we debated various ideas, for the first time I was forced to articulate what I wanted from the title. It had to be unique, evocative, and it was also important to me that it reflect the essence of my film in a meaningful way. A baseball bat is an important object in the film, but The Bat was too literal and too plain. There’s an important scene that takes place in the dining room, but My Chair at the Table felt too forced. The Hideaway appealed to me as an option that eluded to both the boys’ emerging identity and to childhood games, but Reva pointed out that it has connotations that don’t fit the film, (“It makes me think of pirates,” is how she put it).

Ultimately, Reva suggested The Drawing and when she said it, I knew that was the title. A young boy’s drawing figures very significantly into my coming-of-age story. It felt simple and solid. It evoked a key scene and symbol without giving anything away, but also hinted at the process of self-creation, of growing up.

A scene from Gabriel Long's "The Drawing" (formerly "Brothers")

A scene from Gabriel Long's "The Drawing" (formerly "Brothers")

You might conclude that the lesson here is to get other people to title your film, but that’s not quite it. In order to recognize The Drawing as the right choice, I had to develop a clear idea of what I wanted it to do. Without that knowledge, I was stabbing in the dark to come up with ideas and judge suggestions from others. Only when I knew how I wanted the title to look, sound, and feel could I select it.

RFF 2010 Fellow Gabriel Long (mentored by Laurie Collyer) has done extensive work in both narrative and documentary film. Two of his documentary projects were nationally broadcast by Current TV. Swimming New York City documents a swimming race around Governor’s Island, and The Art of Sticks offers a portrait of outdoor sculptor Patrick Doherty. He has also completed seven narrative short films, most recently Adán, which follows a schoolteacher as he travels from his home in Ecuador to New York City, trying to find a friend in the wake of a school shooting. Long recently moved to New York City where he works as an assistant director, editor, and writer. Check out The Drawing blog and Facebook page to stay updated on Gabriel’s latest news.

Still from "October Country"

Still from "October Country"

Cinereach grantee October Country, a film by Michael Palmieri & Donal Mosher, received an incredible 5-star Time Out NY review! Critic Kevin B. Lee calls the film, “Intimate yet larger-than-life, this masterpiece of the everyday shows you don’t need James Cameron’s toy box to make images pop from the screen, much less to see and embrace the world anew.” Click here for the full review.

October Country will be screening in NYC at IFC beginning this Friday, February 12th. Click here for showtimes and to purchase tickets.

Chris Mburu and Hilde Back in a scene from "A Small Act"

Chris Mburu and Hilde Back in a scene from "A Small Act"

Congratulations to Cinereach grant recipient A Small Act directed by Jennifer Arnold, which will be making its world premiere at the 2010 Sundance Film Festival as part of the U.S. Documentary Competition!

The film’s Sundance screening times are as follows:

Friday, January 22nd at 12 pm (Park City)

Saturday, January 23rd at 3 pm (Park City)

Sunday, January 24th at 12 pm (Sundance Resort)

Thursday, January 28th at 9 pm (Park City)

Friday, January 29th at 8:30 am (Park City)

Saturday, January 30th at 12:45 pm (Salt Lake City)

For additional Sundance screening information as well as a glimpse at the film’s trailer, click here. A Small Act’s director Jennifer Arnold was recently profiled by indieWire. Check out the full article here.

Info Courtesy of Felix Endara, Arts Engine (click here for full event description):

Up Heartbreak Hill by Erica Scharf will screen and receive feedback at the next meeting of DocuClub, Wednesday, January 27, 7 p.m., at 92YTribeca, 200 Hudson Street (at Canal).

Admission is free for current DocuClub members and $8 for non-members. Only DocuClub members who plan to attend need to RSVP. Membership is an annual $50 and includes free admission to all DocuClub events. Joining online is easy.

Up Heartbreak Hill is a documentary that chronicles the lives of Thomas, Tamara and Gabby—three Native American teenagers in Navajo, New Mexico—as they navigate their senior year at a reservation high school. As graduation nears, they must decide whether to stay in their community—a place inextricably woven into the fiber of their being—or leave in pursuit of opportunities elsewhere. Largely isolated from mainstream America, they hesitate to separate from their families and traditions, rooted to home in equal parts by love, obligation and fear. Tribal elders urge members of the younger generation to leave, acquire an education or learn a trade, and return home with the skills to help their people. But, with an unemployment rate near 58% and a per capita income under $4,600, Navajo has few prospects. Thomas, Tamara and Gabby each bear amazing strength and promise, but all are products of their environment, and it is the same community that has set before them so many challenges that now asks them to become the leaders that will reshape the Navajo Nation. Their battles to shape their identities as both Native American and modern American lie at the heart of the film.

Director: Erica Scharf
Producer: Christina D. King
Executive Producer: Chris Eyre
Editors: Cindy Lee and Isaac Wayton

Almudena Carracedo (Emmy-award winning Director and Producer of the documentary Made in L.A. ) will moderate.

Sundance Logo

The Sundance Institute Documentary Film Program today announced the recipients of its Fall 2009 Grants. Among them are two Cinereach grantees, both selected to receive support for the Production/Post category:

Jennifer Arnold
A Small Act / U.S.A.
A young Kenyan’s life is changed dramatically when his education is sponsored by a Swedish stranger.

Elizabeth Mandel and Beth Davenport
Rose and Nangabire / U.S.A.
Rose Mapendo lost her family and home to the ethnic violence that engulfed the Democratic Republic of Congo, yet she emerged from the suffering advocating peace and reconciliation. But after helping numerous survivors to recover and rebuild their lives, there is one person Rose must still teach to forgive – her daughter Nangabire.

Additionally, the first three recipients of the Sundance Reach Fund were announced. This new category is part of the Cinereach Project at the Sundance Institute. The Sundance Reach Fund provides emergency discretionary grants and support for risk-taking features and documentaries that evoke global cultural exchange and social impact. The recipients are:

Michael Brown
25 to Life / U.S.A.
After 25 years of secrecy, William Brawner is finally ready to tell the world that he’s HIV-Positive.

Josh Fox
Gasland / U.S.A.
The largest domestic natural gas drilling boom in history has swept across the United States, which uses a Halliburton-developed drilling technology called “fracking.” But is fracking safe? When filmmaker Josh Fox is asked to lease his land for drilling, he embarks on a cross-country odyssey uncovering a trail of secrets, lies and contamination.

Blair Doroshwalther
The Fire This Time / U.S.A.
Seven young African American lesbians were attacked in the West Village of NYC in 2006. They defended themselves and were sent to prison.

Read about all 23 projects selected to receive Sundance Documentary Program support here.

A Small Act

A Small Act

A huge congratulations to Cinereach grant recipient A Small Act, a documentary film by Jennifer Arnold and Patti Lee! The film will have its World premiere at the 2010 Sundance Film Festival in January.