Posts Tagged ‘IFP’

Danielle DiGiacomo over at IFP tells us that this past September’s Independent Filmmaker Conference panels are now available, in “crisp and clear audio,” online.

From Danielle:

“Hear Mira Nair talk about her early years, Peter Saraf talking about producing Little Miss Sunshine, R.J. Cutler’s relationship with Anna Wintour. Learn about everything from new models of documentary fundraising to why Ted Hope twitters so much.”

Click on http://interactive.ifp.org and sign in with your member number to access the panels. The online membership is $35 and includes this and last year’s panels, a digital archive of FILMMAKER Magazines, and more resources.

I’ll be a panelist at IFP at 4pm on Sunday, September 20 at FIT. The whole line-up of the conference looks great as usual. My panel is called “PAYING THE BILLS – SUSTAINING YOUR FILM CAREER” and I’m psyched to be there with Tze Chun (Filmmaker, CHILDREN OF INVENTION), Jesse Epstein (Filmmaker, WET DREAMS AND FALSE IMAGES), Rose Troche (Filmmaker, GO FISH) and moderator Esther Robinson (Filmmaker and Journalist).

IFP Filmmaker Conference


This year IFP’s Independent Filmmaker Conference will run from September 19 – 23  in New York City. This five-day event consists of a packed schedule of panel discussions, networking opportunities and screenings offering  insight into the latest trends in the art and business of independent filmmaking. This conference is a must-attend event, especially for emerging artists.

Each day of the conference takes on a specific theme, from “Making Your First Feature” to “The Global Marketplace,” and features five or six corresponding panels throughout the day. Pioneering independent filmmakers and industry leaders sit on each panel.  

Most of the panels take place at Haft & Murphy at FIT in Midtown Manhattan, running from 10 am to 5:30 pm or 8 pm. See conference schedule and purchase passes (for whole conference or individual days) if interested.

This conference is not only a great opportunity for a comprehensive and current look at independent filmmaking but also a networking opportunity. Over 2,000 top executives, filmmakers, producers, students, distributors and new media experts attend.

On Friday, Cinereach Founder and Executive Director Philipp Engelhorn participated in a panel at the first edition of “Envision: Addressing Global Issues Through Documentaries.” The event, to take place annually, consisted of two days of screenings and symposia. Envision is a joint project of the United Nations Department of Public Information (UNDPI) and the Independent Feature Project (IFP) and is designed for those interested in how global issues can be addressed through documentary film.

A panel at Envision 2009

A panel at Envision 2009

The panel was asked to discuss sources of, and motivation for, funding for issue-oriented docs and included: Nina Chaudry, from Wide Angle; Judith Helfand of Chicken & Egg and Working Films; Patricia Finneran of the Sundance Institute; and Emily Verellen from The Fledgling Fund. Filmmaker Annie Sundberg, Producer of THE DEVIL CAME ON HORSEBACK, moderated.  The panelists (all speaking as funders of socially relevant films) represented a variety of mandates, challenges, agendas, and levels of involvement with funded projects.

Envision

In a letter to participants, Eric Falt of DPI and Michelle Byrd of IFP wrote that participants in Envision included the international filmmaking community, civil society organizations, entrepreneurs, activists, journalists, philanthropists, public policy makers, NGOs, the general public, and representatives from the UN. “The primary focus of this year’s program,” they said, was “the UN Millennium Development Goals and their impact on women.” Films screened included: ROUGH AUNTIES, PRAY THE DEVIL BACK TO HELL and THE GLASS HOUSE.

On a parallel note, Cinereach Grants Manager, Adella Ladjevardi, recently returned from Hot Docs, where she was invited to participate in “The Good Pitch.”  The Good Pitch is a touring pitch forum created by Channel 4 Britdoc Foundation and the Sundance Institue Documentary Program, supported by the The Fledgling Fund, Working Films and others. Hot Docs marked the North American debut of The Good Pitch (which kicked off last year in the UK). Its focus is to give select filmmakers an opportunity to pitch their films and outreach campaigns to foundations, NGOs, campaigners, advertising agencies, brands and media to form alliances that can enhance each film’s impact.

Cinereach is pleased to see this trend – in the tradition of Working Films and the hundreds of socially conscious filmmakers who have long sought to connect inspiring stories with change-makers – toward creating a structured, public space for these pairings.

As an organization that supports both documentaries and narrative films of vitality and craft, Cinereach hopes to eventually see independent fiction filmmakers with a similarly grassroots approach included in efforts like this in the future.

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