Posts Tagged ‘Nicole Kassell’

Hello, All.

I’ve starting working with my mentee Jules, and in doing so, the memories of making short films come flooding back. Shorts are so great and SO HARD! When you are directing a short, most often you are also writing, producing, and being your own cheerleader. It is mind boggling; juggling the stress of wearing a million hats, the desire to say so much vs the need to cut it down, and the always nagging question – how will I feed my crew??

Speaking of which, this may seem a random place to start but it’s critical. Whether you pay your crew or not, a well-fed crew is a happy crew. This is as true for a short film as a feature or a TV set. On a good day, you are asking your crew to work 12 hours. Most likely you’ll push them for more. A second hot meal, or a treat in the middle of the day go a long way. If I could give only one piece of advice, this would be it. The alternative is a crew that feels disrespected and is not on your side, and bad energy on set.    

The 2nd bit of advice I have is hone your story down NOW. I love how ambitious you all are and the last thing I want to do is curb ambition, but this is not a feature. This needs to be a little polished gem. Lean and mean. Cut it down, make it as tight as possible. Desperately try to make cutting choices before production.

That’s it for now, Nicky 

 

Writer/Director Nicole Kassell

Writer/Director Nicole Kassell

At NYU’s Graduate Film Program, Nicole Kassell’s work was recognized with an Outstanding Achievement Awards in directing, writing, editing, and producing. While at NYU, Kassell produced, and directed three short films; Jaime, which won the 1999 DGA Best Female Student Filmmaker Award; and The Green Hour, which was honored with the Warner Brothers Pictures Film Production Award and was selected for the 2002 Sundance Film Festival. Kassell is best known as the writer/director of The Woodsman, based on the play by Steven Fechter and featuring Kevin Bacon. It has won numerous awards, and was nominated for a Grand Jury Prize at Sundance in 2004. More recently, she has directed two episodes of the television series, Cold Case. 

 

 

I am extremely grateful for the recent workshops that Cinereach provided because they have given me comfort.  Upon selection as a fellow, my initial excitement quickly turned to fear.  I haven’t made a movie of any significance for two years, and I was worried that my tool belt had grown too rusty.

Jules Monteyne at Cinereach HQ

Jules Monteyne at Cinereach HQ

This fear quickly faded last week.  The workshops helped to remind me of what it takes to make a movie, and that the skills I have built up are still there.  The knowledge and experience they have surrounded us with took this a step further in creating a comforting cushion that provides me with confidence in moving forward.

“I go to war with everything that doesn’t make sense in a bathtub.” is a special project to me.  I began writing it four years ago, when I was still in high school.  While the script has changed a great deal over the years, the basic ideas remain the same.  It is a story that I think needs to be told because, while it is fictitious, the hypocrisy that I attempt to illustrate in it is something that I witnessed many times in my life.

I look forward to the coming months, watching my story and the compelling stories my fellow fellows have created and/or witnessed become realities.

Jules Monteyne was born in Mount Vernon, Kentucky and grew up in New Orleans. He has been making short films since he was 10 years old and is a recent graduate of the Film and Television Production Program at New York University. Jules’ Reach film, “I Go to War With Everything that Does Not Make Sense in a Bathtub,” it is the story of a delusional child named Charlie, who faces the same racial tension related issues that Monteyne faced growing up in the south.

Dena Greenbaum (Blues), Danielle Russell (Bridging the Gap), Jules Monteyne (I Go to War with Everything), Lindsey Mann (DP of Skip Rocks), Brendon McQueen (Skip Rocks)

Dena Greenbaum (Blues), Danielle Russell (Bridging the Gap), Jules Monteyne (I Go to War...), Lindsay Mann (DP, Skip Rocks), Brendon McQueen (Skip Rocks) - Photo by Andrea Fischman

Cinereach’s second annual Reach Film Fellowship program officially kicked off Monday, when we welcomed Brendon McQueen, Danielle Russell, Dena Greenbaum and Jules Monteyne to the program. They spent two days with us, doing workshops with the program’s advisors to get them started on their film projects. From this point, they will be paired up with their Mentors, prep, shoot and edit their short films.

Monday and Tuesday’s Presenters included Steve Garfinkel (of RFF sponsor Kodak), indie producers Susan Leber (Down to the Bone, Adrift in Manhattan) and Jeremy Kipp Walker (Half Nelson, Sugar), documentary director Edet Belzberg (Children Underground, The Recruiter), screenwriter/filmmaker Afia Nathaniel, director/actor Paola Mendoza (Still Standing, Autumn’s Eyes) and director/cinematographer Ellen Kuras (Eternal Sunshine of the Spotless Mind, Summer of Sam) gave their time generously and provided some welcome coaching. Cinereach staffers got to be flies on the wall in all those sessions (sometimes getting to participate when numbers were needed). Fractured Atlas is the fiscal sponsor to all our Fellows’ projects, and also came by to answer questions.

Each Fellow’s Mentor was also announced this week: Brendon’s Skip Rocks will benefit from the guidance of So Yong Kim (In Between DaysTreeless Mountain); Danielle’s Bridging the Gap will have Renee Bishop (of Savannah, GA’s Farmer’s Almanac TV) on its team; Dena Greenbaum’s Blues will benefit from Jeremy Kipp Walker’s (Half Nelson, Maria Full of Grace) expertise; and Nicole Kassell (The Woodsman) will work with Jules on I Go to War with Everything that Doesn’t Make Sense in a Bathtub.

We’ll track the progress of the Fellowship here on this blog, invite Fellows, Mentors, Advisors and Cinereach staff to blog, and also offer you some more detailed descriptions, photos and video of what the Fellows are experiencing so the wider Cinereach community can benefit as well. Subscribe to RSS feed to stay on top of the action!

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