When I was making short experimental films and theater productions in school, I was working with no money, zero budget. I usually asked friends to shoot for me in exchange for some beer or food. When I made theatrical pieces and I needed to make costumes, I went to various post-offices in Chicago and took some of their overnight envelopes that are partially made of fabric. When I had enough, I sewed them together for costumes. Finding and making things with a limited budget is what I have learned in school. This remains a valuable lesson for my work.

So observes on the set of Skip Rocks

Sometimes film students have the impression that the budget of a film will dictate its quality. This is not the case. I believe the most important thing a director must do is to figure out the heart of the story. Once this can be communicated to the cast and crew, the film is on its way. When there is passion and it’s clear, then everyone on the production will support whatever decision the director makes. If the film’s budget requires scenes to be cut, then the director can evaluate what scenes can go or be modified without sacrificing the heart of the story.

Brendon and So confer privately on the set of Skip Rocks

I feel lucky that I had the chance to visit Brendon on his set. I saw that he was thinking on his feet and working well with his crew. It remains to be seen how the film will be composed at the editing stage. I am excited for him.