Posts Tagged ‘Sundance Institute’

We’re proud to announce that the lineup of the 2012 Sundance Film Festival will include the world premieres of seven films Cinereach has supported in various capacities.

Taking place January 19th-29th, the fest marks some key milestones for us. We’re thrilled that Beasts of the Southern Wild, the first Cinereach Production to hit Park City, will premiere in competition. We’ll also be celebrating the achievements of the Cinereach Project at Sundance Institute, a fruitful three-year partnership that has provided $1.5 million to complement Sundance Institutes’ invaluable support of fiction and nonfiction works-in-progress.

We look forward to watching these films on the big screen with you, at Sundance and beyond!

From Cinereach Productions:

Beasts of the Southern Wild U.S. Dramatic
Director: Benh Zeitlin

Written by: Lucy Alibar and Benh Zeitlin

Producers: Michael Gottwald, Dan Janvey, Josh Penn

EP: Philipp Engelhorn, Paul Mezey, Michael Raisler

Cast: Quvenzhané Wallis, Dwight Henry

Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named Hushpuppy, who lives with her daddy at the edge of the world.

Sundance Screening Times

Films Supported by the Cinereach Project at Sundance Institute:

Ai Weiwei: Never Sorry U.S. Documentary
Director: Alison Klayman

Producers: Alison Klayman, Adam Schlesinger

The inside story of a dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics.

Sundance Screening Times

An Oversimplification
An Oversimplification of Her Beauty New Frontier
Director: Terence Nance

Producers: Andrew Corkin, James Bartlett, Terence Nance

A quixotic young man humorously courses live action and various animated landscapes as he reaches for self-awareness after a mystery girl stands him up.

Sundance Screening Times

Compliance NEXT<=>
Director: Craig Zobel

Producers: Sophia Lin, Lisa Muskat, Tyler Davidson, Theo Sena, Craig Zobel

When a caller posing as a police officer convinces a fast food restaurant manager to interrogate an innocent young employee, no one is left unscathed. Based on true events.

Sundance Screening Times

I Am Not a Hipster
I Am Not A Hipster NEXT<=>
Director: Destin Daniel Cretton

Producers: Ron Najor, Destin Daniel Cretton, Trevor Fernando

A young singer-songwriter with a growing local following wanders through his apathetic life in San Diego. When his dad and three sisters show up to spread his mother’s ashes, he’s reminded of the part of himself he left back in Ohio and is forced to deal with the person he’s become.

Sundance Screening Times

Keep the Lights On U.S. Dramatic
Director: Ira Sachs

Producers: Marie Therese Guirgis, Lucas Joaquin, Ira Sachs

The story of a tumultuous, decade-long relationship between two men in New York City, chronicling the bonds that keep them together and the addictions that tear them apart.

Sundance Screening Times

The Queen of Versailles U.S. Documentary
Director: Lauren Greenfield

Producers: Lauren Greenfield, Danielle Renfrew Behrens

A character-driven documentary about a billionaire family and their financial challenges in the wake of the economic crisis.

Sundance Screening Times

Sundance Logo

The Sundance Institute Documentary Film Program today announced the recipients of its Fall 2009 Grants. Among them are two Cinereach grantees, both selected to receive support for the Production/Post category:

Jennifer Arnold
A Small Act / U.S.A.
A young Kenyan’s life is changed dramatically when his education is sponsored by a Swedish stranger.

Elizabeth Mandel and Beth Davenport
Rose and Nangabire / U.S.A.
Rose Mapendo lost her family and home to the ethnic violence that engulfed the Democratic Republic of Congo, yet she emerged from the suffering advocating peace and reconciliation. But after helping numerous survivors to recover and rebuild their lives, there is one person Rose must still teach to forgive – her daughter Nangabire.

Additionally, the first three recipients of the Sundance Reach Fund were announced. This new category is part of the Cinereach Project at the Sundance Institute. The Sundance Reach Fund provides emergency discretionary grants and support for risk-taking features and documentaries that evoke global cultural exchange and social impact. The recipients are:

Michael Brown
25 to Life / U.S.A.
After 25 years of secrecy, William Brawner is finally ready to tell the world that he’s HIV-Positive.

Josh Fox
Gasland / U.S.A.
The largest domestic natural gas drilling boom in history has swept across the United States, which uses a Halliburton-developed drilling technology called “fracking.” But is fracking safe? When filmmaker Josh Fox is asked to lease his land for drilling, he embarks on a cross-country odyssey uncovering a trail of secrets, lies and contamination.

Blair Doroshwalther
The Fire This Time / U.S.A.
Seven young African American lesbians were attacked in the West Village of NYC in 2006. They defended themselves and were sent to prison.

Read about all 23 projects selected to receive Sundance Documentary Program support here.

On Friday, Cinereach Founder and Executive Director Philipp Engelhorn participated in a panel at the first edition of “Envision: Addressing Global Issues Through Documentaries.” The event, to take place annually, consisted of two days of screenings and symposia. Envision is a joint project of the United Nations Department of Public Information (UNDPI) and the Independent Feature Project (IFP) and is designed for those interested in how global issues can be addressed through documentary film.

A panel at Envision 2009

A panel at Envision 2009

The panel was asked to discuss sources of, and motivation for, funding for issue-oriented docs and included: Nina Chaudry, from Wide Angle; Judith Helfand of Chicken & Egg and Working Films; Patricia Finneran of the Sundance Institute; and Emily Verellen from The Fledgling Fund. Filmmaker Annie Sundberg, Producer of THE DEVIL CAME ON HORSEBACK, moderated.  The panelists (all speaking as funders of socially relevant films) represented a variety of mandates, challenges, agendas, and levels of involvement with funded projects.

Envision

In a letter to participants, Eric Falt of DPI and Michelle Byrd of IFP wrote that participants in Envision included the international filmmaking community, civil society organizations, entrepreneurs, activists, journalists, philanthropists, public policy makers, NGOs, the general public, and representatives from the UN. “The primary focus of this year’s program,” they said, was “the UN Millennium Development Goals and their impact on women.” Films screened included: ROUGH AUNTIES, PRAY THE DEVIL BACK TO HELL and THE GLASS HOUSE.

On a parallel note, Cinereach Grants Manager, Adella Ladjevardi, recently returned from Hot Docs, where she was invited to participate in “The Good Pitch.”  The Good Pitch is a touring pitch forum created by Channel 4 Britdoc Foundation and the Sundance Institue Documentary Program, supported by the The Fledgling Fund, Working Films and others. Hot Docs marked the North American debut of The Good Pitch (which kicked off last year in the UK). Its focus is to give select filmmakers an opportunity to pitch their films and outreach campaigns to foundations, NGOs, campaigners, advertising agencies, brands and media to form alliances that can enhance each film’s impact.

Cinereach is pleased to see this trend – in the tradition of Working Films and the hundreds of socially conscious filmmakers who have long sought to connect inspiring stories with change-makers – toward creating a structured, public space for these pairings.

As an organization that supports both documentaries and narrative films of vitality and craft, Cinereach hopes to eventually see independent fiction filmmakers with a similarly grassroots approach included in efforts like this in the future.

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