Posts Tagged ‘The Fledgling Fund’

The Independent Filmmaker Project (IFP), the nation’s oldest and largest organization of independent filmmakers, has teamed up with The Fledgling Fund to award the first Outreach and Engagement Grant for Social Issue Documentaries to The Way We Get By. The $10,000 grant was made possible through the generous support of The Fledgling Fund.

The award was given to support a discreet part of the film’s larger outreach and engagement plan -specifically, to support three community screenings around military bases that have had the highest casualties and rate of suicides, PTSD cases, and domestic violence. These three community screenings will also highlight the companion web-based Returning Home Project, as well as inform and educate audiences relevant to the film. The film will be broadcast on P.O.V. tonight. Click here for the broadcast schedule.

IFP grants are open to projects selected to participate in its other programs, Independent Film Week or Independent Filmmaker Labs. In order to be eligible for the Outreach and Engagement Grant for Social Issue Documentaries, filmmakers first apply for the Spotlight on Documentaries program, and upon being accepted, were notified of their eligibility. Sign up for IFP’s newsletter here to stay on top of all opportunities and deadlines.

For more information on the other grant finalists or on IFP, click here.

On Friday, Cinereach Founder and Executive Director Philipp Engelhorn participated in a panel at the first edition of “Envision: Addressing Global Issues Through Documentaries.” The event, to take place annually, consisted of two days of screenings and symposia. Envision is a joint project of the United Nations Department of Public Information (UNDPI) and the Independent Feature Project (IFP) and is designed for those interested in how global issues can be addressed through documentary film.

A panel at Envision 2009

A panel at Envision 2009

The panel was asked to discuss sources of, and motivation for, funding for issue-oriented docs and included: Nina Chaudry, from Wide Angle; Judith Helfand of Chicken & Egg and Working Films; Patricia Finneran of the Sundance Institute; and Emily Verellen from The Fledgling Fund. Filmmaker Annie Sundberg, Producer of THE DEVIL CAME ON HORSEBACK, moderated.  The panelists (all speaking as funders of socially relevant films) represented a variety of mandates, challenges, agendas, and levels of involvement with funded projects.

Envision

In a letter to participants, Eric Falt of DPI and Michelle Byrd of IFP wrote that participants in Envision included the international filmmaking community, civil society organizations, entrepreneurs, activists, journalists, philanthropists, public policy makers, NGOs, the general public, and representatives from the UN. “The primary focus of this year’s program,” they said, was “the UN Millennium Development Goals and their impact on women.” Films screened included: ROUGH AUNTIES, PRAY THE DEVIL BACK TO HELL and THE GLASS HOUSE.

On a parallel note, Cinereach Grants Manager, Adella Ladjevardi, recently returned from Hot Docs, where she was invited to participate in “The Good Pitch.”  The Good Pitch is a touring pitch forum created by Channel 4 Britdoc Foundation and the Sundance Institue Documentary Program, supported by the The Fledgling Fund, Working Films and others. Hot Docs marked the North American debut of The Good Pitch (which kicked off last year in the UK). Its focus is to give select filmmakers an opportunity to pitch their films and outreach campaigns to foundations, NGOs, campaigners, advertising agencies, brands and media to form alliances that can enhance each film’s impact.

Cinereach is pleased to see this trend – in the tradition of Working Films and the hundreds of socially conscious filmmakers who have long sought to connect inspiring stories with change-makers – toward creating a structured, public space for these pairings.

As an organization that supports both documentaries and narrative films of vitality and craft, Cinereach hopes to eventually see independent fiction filmmakers with a similarly grassroots approach included in efforts like this in the future.

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